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Showing posts with label Snapshot. Show all posts
Showing posts with label Snapshot. Show all posts

Thursday, March 07, 2013

Snapshot: The Plaza Ice Cream Boat Shuffle

What do you do with a mystery that isn't?

The Magic Kingdom is full of dozens of mysterious events, especially in her earliest years. I've been attending the park for decades and studying it seriously for almost ten years now and I'm convinced that we'll never quite know about the dead guy outside the Burning Cabin, or the full story behind the Jungle Cruise queue, or why the rest of Liberty Square wasn't built, or just exactly when Western River Expedition was cancelled.

But those things are different in that those articles detail things that came close to happening, or supposed to have happened, or apparently briefly did happen, then vanished, leaving only circumstantial evidence. Today we have a different kind of puzzle: something that's very well documented, but the reasons behind it happening at all are impossible to guess at. And what's funny is that these events in no way involved a Vacation Kingdom obscurity: they hint towards a secret history of one of the most famous of early Walt Disney World phenomena. It's time to meet the star of our show today:

Courtesy of Nomeus

....a dock.

The date is mid 1971, and the above picture was snapped by a Florida Construction Dad standing on the roof of the still-under-construction Circle-Vision 360 in Tomorrowland. The object of interest is the dock under construction in the foreground; given the date and the general state of readiness evident in all of the other areas of the park, it looks like this spot in particular was rather an afterthought.

What is it? It's the Swan Boat Dock.

This is where, if you know Walt Disney World history, you are free to imagine a loud, zany record scratch. Say What?!? Everyone knows where the real Swan Boat landing is - why, there's whole blogs about what it is! Did you know you can rent it for weddings? Everyone knows that the Swan Boat landing is located just north of the Tomorrowland bridge.

Tom Bricker on Flickr

That's part of the story, yes. And, at the same time, no, it isn't the only Swan Boat Landing. Let's dig into the mystery.

Before we begin, I'd like to cover some basics so we are all on the same page. The Plaza Swan Boats were a slow-moving attraction which plied the waters of the Magic Kingdom's moat from 1973 (maybe) to 1983, at which point Disney retired them permanently. They only ran during the busy summer months, and traveled clockwise around the hub, with a detour into Adventureland to pass the Jungle Cruise and zip around Swiss Family Island. The layout, and loading dock, is pretty clear in this 1974 Magic Kingdom map:


Near the southernmost bank of the loop around the Treehouse, the Swan Boats had a spur line which backed into a shaded structure, shared with the Jungle Cruise, where the boats could be lifted out of the channel and onto dry land to be repaired. Although at this point the Hub moat (ie, Swan Boat ride path) and Jungle Cruise river are only three feet away from each other, the waters never intermingle - they meet at a dam hidden underneath a backstage path to the east of the Jungle Cruise unload point.

Here's a modern satellite photo showing the dual maintenance channels for the Swan Boats (top) and Jungle Cruise (bottom). The brown square sitting out on the Swan Boat channel is actually a break room for the Jungle Cruise, put up in the early 90s.


The Swan Boat Maintenance Bay has always been there. In fact, the Swan Boats appear to have been intended as an opening day attraction. The idea seems to have begun with this 1970 Herb Ryman piece:

via Progress City, USA
Paul Hartley included it in his 1971 "Fun Map" of the Vacation Kingdom, a courtesy he pointedly did not extend to a dozen other things that were planned but didn't make it to opening day, such as all of Tomorrowland. The detail is easy to miss, but it's there:


Again notice the boat's placement and direction of travel. As I've pointed out before, Hartley's illustrations are extremely conservative in terms of visual interpretation, and in most cases he seems to be working directly off elevation blueprints.

In short, the Plaza Swan Boats seemed to be on track to open on October 1971. But they did not.

Let's take a quick look at that dock we saw being built at the top of the post; let's see how it looks today. Here are two aerial views obtained from Bing:


Notice the large, smooth ramp leading from directly off Main Street? If you think it looks like an attraction entrance, you would be right, and in 1971 Disney planted a Swan topiary on either side of that entrance to pave the way for the imminent arrival of the boats:


You can also see the finished yellow and white striped canopy intended to house the queue behind the topiary. Enjoy this view; it's probably the clearest photo of this original arrangement that exists. Also notice that the moat itself is not filled in, which is a giveaway that this is a pre-opening publicity shot.

We can see the dock again in The Magic of Walt Disney World, shot in late 1971:


It's blurry, but notice that Disney seems to have simply thrown a bench right in the middle of the attraction entrance and called it a day. Notice also that the canopy is now surrounded by a wall.

As the camera flies over the hub, we can see what appears to be a Maintenance boat tied up alongside the dock:


Did you notice the area to the left leading away from the Swan Boat dock towards Tomorrowland? This simple curved path and monstrous gap between the Tomorrowland and Main Street buildings would soon be filled in by the Plaza Pavilion restaurant in 1973, but originally it was little but a short wall and some grass. This 1972 photo of the Grand Prix Raceway....


...Affords us a very rare view of this wall as well as the original curved exit path from the Swan Boat Landing leading towards Tomorrowland:


It's hard to tell exactly what's going on at the dock, but the walls appear to be down by now. This short stretch between the two lands, which lasted less than 24 short months, is one of the most difficult areas of the original Magic Kingdom to find photographic evidence of.

So the Boat Dock was put in in 1971 and sat there unused. And this is where our story takes a bizarre and apparently unprovoked detour towards the realm of... ice cream. Because we can't tell this story without telling the story of everything that occurred around it.

Daveland.Com
Above we can see the Plaza Ice Cream Parlor in 1972, looking almost exactly as it does today. And you would be right to think that, except when this photo was taken its interior was almost twice the size it is today. Because strangely enough, we can't tell the story of the Swan Boats without also telling the story of the ice cream parlor across the way.

When it opened in 1971, the Plaza Ice Cream Parlor looked like this on the first year map:



It's sort of hard to tell in this map, but if we go to the Summer 1972 GAF guide, we can see that the Ice Cream Parlor clearly filled the entire block of facades directly to the south of the conspicously absent Swan Boat Dock. It's Number 11 on this map:



A 1976 issue of Walt Disney World Vacationland gives us this rare interior view, although it only hints at what was different about this eatery in those early days:


It's clear, based on the evidence available, that for the first few years of the operation of the Plaza Ice Cream Parlor that the restaurant included a large seating area to its east, on the Tomorrowland side. As I've argued here before, the Magic Kingdom at first experienced a glut of tourists unlike any the company had prepared for - a rapid flow that only the 1974 Energy Crisis could diminish. Confirming this scenario, in February 1972, journalist Edward Prizer wrote in the pages of Orlandoland Magazine:
"Such a deluge of Disneyphiles hasn't been without problems for Disney World itself. Months ago the top men realized they needed more of everything, and fast. But it wasn't like an ordinary amusement park, where you could bring in another ferris wheel or pitch game or two and set them up overnight.

[...]

Even more urgent than the opening of new attractions has been the problem of attending to two of the basic requirements for the park's operation: transportation and feeding. With an average day's crowd, it's been possible to move guests smoothly from the main entrance to the theme park aboard the present monorails, trams, and steamships. But just let a swarm of extra people descend on the place and soon there are long lines waiting to get across to the scene of the action. I've had to wait as long as an hour, myself.

Then, once you're in the park, it has on occasion been a real challenge to get into a restaurant or up to a food counter for some grub to assuage a rampant appetite. All the smiling in the world doesn't pacify a crowd of hungry guests."
True to Prizer's word, we see that by Spring 1973, the Ice Cream Parlor has now added Waitress Service to its lineup:


Presumably the waitress service area took over a spot that was previously an open seating area on the Tomorrowland side. However, the two spaces continued to operate under the same name and share the same space, as seen in this 1972 photograph, where I'm reasonably sure that the small sign over what was previously the seating area still reads "Plaza Ice Cream Parlor":

Thanks to Jeffrey Lipack
As we can see, the Swan Boats were still ostensibly located down by the water near the Parlor. However, the Summer 1973 GAF guide promotes several upcoming attractions:


And just as suddenly, where there had previously been open lawn north of the Tomorrowland Bridge:


The familiar Swan Boat queue and dock suddenly appear on park maps in June 1973:


In Summer 1973, the Plaza Pavilion restaurant opens, requiring the construction of steps to replace the previous gentle "exit ramp" slope, and by December 1973, Vacationland Magazine is depicting the former Swan Boat area as a seating area for the Ice Cream Parlor:


Notice how the yellow and white striped umbrellas, which remain to this day, visually echo the original canopy which stood here.

Today we know the area which was probably once the Ice Cream Parlor seating area as the Plaza Restaurant, and although I've found one mention of the name in a Summer 1976 Vacationland, it doesn't appear in park guides until 1977:


Park maps are still vague about exactly how the two areas interface, showing both "Borden's Ice Cream Parlor" and the "Plaza Restaurant" as a single continuous space, although the overall arrangement is now closer to how we know the park today:


Today, few hints remain of the brief period when the Plaza Restaurant was the seating area for the Ice Cream Shop. The wall that joins the two locations has been filled in:

The door that wasn't
And questions linger on. The current Plaza Restaurant has an Art Nouveau interior worlds away from the plain decoration of the Ice Cream Parlor next door, and quite far removed from the relatively unchanged interior seen in the mid-70s Vacationland interior photo:


Watch that connecting door in the back vanish before your eyes!

The "back" wall of the Plaza Restaurant is raised off an apparent original back wall to allow a place for servers to refill drinks and ring checks. It's more of a simple partition which implies that all of the Art Nouveau niceties were added the same time the partition was. There's also evidence of "In" and "Out" signs above the doors to the back area that have since been wallpapered over. How many interior designs has this space gone through?


But when did this happen? 1973? 1977? Or some later date? When did the "Plaza Restaurant" become the "Plaza Restaurant"? I've combed the pages of countless Eyes and Ears and other official documents without ever turning up a mention of the original change. For that matter, when and why were the two establishments walled off from each other?


For that matter, why on earth would you call the darn thing the Plaza Restaurant when you know it's already sandwiched between two other establishments called the Plaza Ice Cream Parlor (1971) and the Plaza Pavilion (1973)?  The Plaza Pavilion is already such a troublingly generic and forgettable name that most people only know what I'm referring to when you refer to it by it's contemporary name.... The Noodle Station. Which it hasn't been called for five years now.


The Noodle Station is a terrible name, but at least it's memorable. What deficit of creative thought gave us three restaurants with the name "Plaza" as their first word right in a row?

Even more puzzlingly: did the Swan Boats relocate to make room for the additional seating, or did the seating fill in a space vacated for the Swan Boats? Since this is the 1970s, it seems hardly likely that Disney would've relocated an entire attraction just because the construction of the Plaza Pavilion required the substitution of a staircase for a ramp. After all, this was 1973, years before anyone has even thought of the idea of ADA-compliance.

When did the Swan Boats open?

Even a question as basic as "When did the Swan Boats" open - something that seems so basic, so simple - is impossible to answer. The official Disney opening date for the attraction is May 20, 1973, which is great but unfortunately demonstrably wrong. I excluded a paragraph from Edward L. Prizer's Feburary 1972 article above, because I wanted to include it here, where it would have the most impact.
"Such a deluge of Disneyphiles hasn't been without problems for Disney World itself. Months ago the top men realized they needed more of everything, and fast. But it wasn't like an ordinary amusement park, where you could bring in another ferris wheel or pitch game or two and set them up overnight.

Disney attractions are complex packages of planning and engineering talent and meticulous craftsmanship that sometimes take years to perfect. There was just no way to phone back to California and say, "Send us another half a dozen."

In due course, according to previous plans, they did get [Flight to the Moon] and America the Beautiful in operation early this year. They'll be opening Eastern Airlines' "If You Had Wings" around June. Two more shops, Olde World Antiques and Mlle Layafette Parfumerie, have just started doing business. Before too long, swan boats will be launched in the canal that flows around The Hub before Cinderella's Castle."
How long is "before too long"? A month? Two months? A year? Well, it took the Swan Boats a year and a half before they opened.

Maybe.

Now, if you go to the Orlando Public Library, you can look through every Walt Disney World newspaper clipping from the 1970s, including many not in English. And if you do so you will find extensive coverage of the opening of Tom Sawyer Island in June 1973, and absolutely no mention of the Swan Boats except to note that they were expected to be ready "By Summer".

The nearest I can find for an concrete implication of an opening date for the Swan Boats is a single paragraph mention of the boats in a June 1973 issue of Walt Disney World News, which abruptly adds the familiar Swan Boat Dock to the map of the hub, as seen above. The May 1973 issue includes no mention of the boats - despite hyping the imminent opening of Tom Sawyer Island - and no visual representation of the dock.

Everything points to a May or June 1973 opening, which makes it very hard to explain how this photo was appearing in Disney publications as early as 1972:

"Anybody have a map?"
Notice that the boat is moving around the moat counter-clockwise, just as both the Herb Ryman concept art and Paul Hartley map seem to suggest.

The Omnibus passes the original canopy, 1972
Also look all the way to the left of the photo, above the Crystal Palace. That black object that isn't a palm tree? It's a crane, putting up the superstructure for Pirates of the Caribbean. This means this photo was taken sometime between early 1972 and mid 1973, when the Swan Boats finally opened.... traveling the opposite direction around the Hub.

The thing is that this direction of travel makes no sense. The highlight of the Swan Boat journey was undoubtedly the trip into Adventureland - a highlight which occurred in the first third of the attraction as it operated from 1973 to 1983. But if the boats traveled in the direction indicated by the above photograph, concept art and Hartley fun map, however, the Adventureland section would become the last third - after which the boat would immediately dock by the Ice Cream Parlor. Isn't this a more sensible and dramatic way to arrange an attraction?

What's even more puzzling is what happened to the Swan Boats after they opened in 1973 - Disney ran them only during Summer months, and even removed them from the GAF park guides in 1975. After only ten years, the boats closed.

So let's review. We have an attraction which looked ready to open in 1971, was reported to open in 1972, finally opened in 1973 in a different place with no fanfare after its original boarding area became an ice cream patio, then was closed with no fanfare after only ten years after being operated only in fits and starts.

"Off to your right, you'll see the site of our future loading dock!"
The 1972 date given by Prizer and the photographic evidence we have of the dock apparently open and in use and the boats traveling on the water in 1972 only makes sense if we assume that the Swan Boats did run in 1972 following the original ride path and then closed. This would explain why there's little to no press for their apparently vague opening date in 1973 - they were already open. June 1973 is when their new loading dock opened, not when the boats began traveling.

Why did they move?

I've considered all of the possibilities here. Was it because the boats needed to load from the opposite side of the river? Seems unlikely, since they had entrances from both sides. Was it because there was some kind of technical problem with the boats or ride path? At first I thought the waves generated by the Tomorrowland entry slopes and spires (they used to spit water, you know) could've caused issues with the Swan Boats, but the boats in operation had no less than two wave breaks and the Tomorrowland entry wasn't re-engineered to produce more water until 1974, anyway. There's no way that moving the attraction closer to the waves before they were a problem could've affected the decision. In fact, directly above and to the left you can see a 1972 Swan Boat blissfully drifting through the area that would later have wave breaks installed around it.

Was it for crowd control?

This seems like a more likely choice to me. The spot outside the Ice Cream Parlor can become a traffic jam even 40 years later, so relocating the boat dock north may have eased congestion in a spot that was becoming unmanageable - and this was back when Disney was still actually trying to operate the Plaza Pavilion as a restaurant all day instead of just letting it become the fanciest covered walkway in the park. Were the Swan Boats causing traffic jams?

Remember what Edward Prizer said - they needed more of everything. In fact, there is some evidence that the Swan Boats were and continued to be an operational nuisance. On Widen Your World we learn:
"A cast member who worked this attraction during its last season said the ride was closed due to operating costs, which stemmed largely from the maintenance of the boats.  This would make the Swan Boats the first ride to contract the disease that laid 20,000 Leagues Under The Sea to rest in 1994.  All manner of other reasons have been given for the Swan Boats' closure, including that the ride was "just too popular."  When I first heard that, I presumed it was entirely untrue.  According to Greg Scott, however, the ride's popularity was actually a problem.  Scott staffed the ride as a Lead during its last few summers and in 2003 recounted that even with six boats running the queue could easily reach 45-60 minutes."
In a park that had two theater shows to offer guests as reward for entering Tomorrowland, no roller coasters, no Pirates of the Caribbean or Tom Sawyer Island, no Peoplemover, and an apparently unreliable submarine ride, it's easy to imagine a queue for the Plaza Swan Boats spilling right out into the Main Street parade route at this crucial juncture. In fact, when you get right now to it, isn't the most striking difference between the two boat landings - besides the more attractive and permanent nature of the 1973 canopy - the fact that the newer version has at least three times as much queue space?

Top: 1971 Bottom: 1973

Ah-ha! And now it becomes possible to fit the story of the Plaza Swan Boats into a narrative we've already covered at Passport to Dreams: the early attractions with out of control lines. We already know that new structures and crowd control devices had to be built for Country Bear Jamboree, Hall of Presidents, Haunted Mansion, Jungle Cruise and 20,000 Leagues Under the Sea; now we can add Plaza Swan Boats to that list.

In fact we now know that their unreliability was evident from the start, making their closure in 1983 much more understandable. Premiering two years too late, being prone to always being broken and causing inestimable crowd flow damage is not a way to get on Disney's good side. In fact, the mere fact that Disney only ran them during summers is itself a huge red flag for their era. The Plaza Swan Boats were open less often than the Plaza Pavilion, a restaurant that today is open perhaps six weeks out of the year. You have to be a pretty lousy ride for Disney in the 1970's to give up on you so quickly. In fact, it's now easier to place the swan boats alongside something like the Fort Wilderness Railroad: it was a disaster, and it closed quickly.

So that's the story of the ice cream parlor that wasn't and the attraction that wasn't, and who knows exactly what happened but it's still around to haunt us today. We may never exactly know when the Swan Boats opened for real or why they ran them in the wrong direction for a decade or exactly how they got messed up in the first place. Just as we may never know what those original Magic Kingdom guests had to look at while they ate their fancy crepes and ice cream sundaes in the spot that was not yet the Plaza Restaurant. And we'll never know why they just had to have three restaurants in a row starting with the name "Plaza".

I was going to end with this familiar photo of a Swan Boat in 1972, pulling towards the original load dock - already tracing the "backwards" route, with no 1973 landing visible in the background:


Until I noticed something in this photo I never had before:


Is... is that a tow line?

It can't be. Nobody attaches a line to tow a boat under the water line.

Could this be the mythical early electrical guidance system which caused the attraction to close in 1972 after it failed?

And does this early photo, showing the Swan boat ride path under refurbishment, perhaps betray traces of that original, failed ride system?


If this is true, then the May 20, 1973 date given by Disney probably refers either to the opening of the new landing or the conversion of the Swan Boats to the new guidance system - underwater jets, just like the modern day Friendships at EPCOT. But which is it?

The Magic Kingdom refuses to yield up all of her mysteries.

This page was updated on March 16, 2013, with new photos and information.

Sunday, January 16, 2011

Snapshot: Mysteries of the Second Floor

So we can all agree that the Contemporary is/was pretty awesome, right? From the bizzare Mary Blair mural to the strange original Southwest theme to the fact that once upon a time the Contemporary housed a liquor store called The Spirit World with a monorail running over it, the Contemporary exerts a fascinating tidal pull of history, aesthetics, and the taste of an era gone by. As hard as Disney may try to update the place or shellac layer upon layer of changes or "improvements" upon the basic original, history haunts the Contemporary hotel like a ghost, always present, peeking out from behind the dayglo neon or turquoise-blue carpet, a stowaway from out of time.

But we're all guilty of a grave oversight in overlooking an area of prime Contemporary Resort awesomeness, in fact perhaps the least changed of all the resort's haunted halls and strange passages. We've all rushed past it on our way to the Grand Canyon Concourse - the cheerfully badly named Level of the Americas, or: that place where you have to go from one escalator to another on the way to your Chef Mickey's reservation.

Buddy Greco performs tonite at the Top of the World Supper Club.
This was serious business, once.

Today the Level of the Americas mostly houses a reception area for the California Grill restaurant which supplanted the original Top of the World supper club in 1994. Neo-modern furnishings scatter the handsome wide hallways randomly, sometimes housing guests, slumped in couches like vagrants waiting to be evicted from a train station in a snowstorm. Other times, guests wander aimlessly down those lifeless wide hallways, looking furtively for someone or something that's never there. Since the addition of the new Fantasia-themed convention center wing in the early 1990s designed by Michael Graves, those original Contemporary meeting rooms and banquet spaces seem desolate, remote, and unloved. Very few places in all of Walt Disney World exude the same sense of not belonging as the Level of the Americas. "Is this supposed to be here??"


It wasn't always this way. Convention going was a big part of Walt Disney World's bottom line all through the 70's and 80's, and continues to be so today. All through the first twenty years of the resort, the absolute top spot for Conventions in all of Walt Disney World was the Contemporary, and the cutting-edge Ballroom of the Americas featured a hydraulic stage which could raise or lower and even closed-circuit television linking one ballroom to another. All drenched in 1970's earth tones, full of hustle and bustle and strange geometric patterns. Because nothing says "here and now" like geometry.
"Whoever said work and play don't mix obviously had never enjoyed the paradoxical magic of a Walt Disney World convention or conference. You can conduct successful business meetings and still experience all the excitement, adventure and magic that makes Walt Disney World the vacation kingdom of the world. As you would expect, a Walt Disney World convention makes a marvelous family vacation, too!

At the Contemporary Resort Hotel, the headquarters for all major conventions, you will find 30,000 square feet of meeting and banquet rooms and 1,046 spacious rooms. Or, choose from 636 additional rooms at the Polynesian Village Resort Hotel or 151 rooms at the Golf Resort Hotel, all connected by the Walt Disney World transportation system.

When it comes to entertainment, at the Walt Disney World Vacation Kingdom, your convention and banquet entertainment is only as limited as your imagination. You can choose from a Caribbean carnival, a Bourbon Street fling or a country-western hoe-down. Or, if you wish, the talented staff will prepare a custom-designed party especially for your group - right down to the sets, costumes, entertainment, and food." - World Magazine, 1979

Nearby all the "Convention Excitement", the sedate Gulf Coast Room was largely mysterious. Operating out of the exact same service counter which is now used for the California Grill and built apparently hastily in the adjacent conference room, the Gulf Coast Room was a quick and simple solution for Disney, looking as they were for an extra high end restaurant and which involved nothing more than a few rolls of wallpaper, high backed chairs and linen draped tables. Lighting was dim and simple and there were no windows or even much in the way of decor. The focal-point was on fresh food and continental service. Described in Walt Disney World News April 1976: "second floor. Gracious evening dining, with atmosphere entertainment. Reservations requested, with coats for gentlemen, please. Seatings 6:30 - 10 pm, $7.95 - $12.50."

Does anybody even bring an evening coat to Walt Disney World anymore? To put those prices in perspective, $7.95 is equal to almost $30 in 2009, and the highest priced menu item would today fetch almost $46.50. This was not dining for children.

A Spring 1977 Vacationland goes into more detail:


"The elegant Gulf Coast Room, inside Walt Disney World's monolithic Contemporary Resort Hotel, provides the essence of luxurious Old World dining. Here, in a setting aglow with the warm light from dozens of tall tapers, the soft music of a string ensamble fills the air. Each table is serenaded individually with songs of the diner's requests. Dining here can become an evening-long celebration for those who wish to savor the experience.

Begin with an apertif, carefully blended for you by a skilled cocktail hostess. To further whet your appetite, follow with an appetizer - cracked Alaskan crab warmed in butter over a chafing dish at the table, or perhaps Oysters Rockefeller*, served in the half shell atop a bed of hot rock salt.

After this, you will be in the capable hands of your carefully-trained waiter. If you wish, he will prepare a Caesar Salad for you at the tableside, finally serving the crisp, tasty greens with a chilled fork to make the experience perfect**. Entrees are also prepared at the table - dishes like Pampano en Papillote - a succulent ocean fish stuffed with tiny Gulf of Mexico shrimp, breaded, and then broiled to a juicy golden turn inside an air-tight cooking bag. Many other delicious entrees are also given the final, flaming touches at the table, over flickering braziers***.


Many guests enjoy a bottle of fine wine from the Gulf Coast Room's excellent stock. Knowledgeable wine stewards are on hand to suggest the perfect vintage to accompany any dinner. Dessert is often followed by deep mugs of Spanish coffee, again flamed at the table, to bring to an end a perfect evening of dining."
* You don't see Oysters Rockefeller much anymore either, but they're basically coated in a rich butter herb sauce spiked with - in the very original recipes - absinthe.
**The chilled fork may be excessive, but it's details like this that Disney used to be all about that made the difference.
*** There's a word that's ready for a comeback - BRAZIER!


All of that awesomeness, packed into a lonely and desolate floor of a hotel that you've rushed past a thousand times. Next time on your way to the new arcade to play an emulated version of Pac-Man, stop by the Level of the Americas and wander around a bit. See if you can guess where those rows and rows of 70's businessmen sat along tables draped in outrageous sunset yellow linens. See if you can guess which inauspicious door the Gulf Coast Room was located behind. Find the lonely grand piano and tucked-away, disused corners and try to imagine what this was like in better days. The Southwestern decor may be gone and the Gulf Coast Room's string quartets played their last note long ago, and the Gulf Coast Room's vertical striped and tree-laced wallpaper may be torn down, but a strange and sad atmosphere still persists, history tucked behind rows of plain beige doors - just another pocket of Walt Disney World fading slowly to black.

Before Michael Graves, before Vacation Club, a real view to remember.
--

Buena Vista Obscura:
Captain Cook's Hideaway (plus followup)
The Lake Buena Vista Story: Part One
The Lake Buena Vista Story: Part Two
The Lake Buena Vista Story: Part Three
The Lake Buena Vista Story: Part Four
The Golf Resort

History and Esoterica:
Snapshot: The Great Southern Craft Company
Snapshot: Olde World Antiques
Snapshot: Mysteries of the Second Floor

This post is part of the Disney Blog Carnival. Head over there to see more great Disney-related posts and articles.

Friday, August 20, 2010

Snapshot: Olde World Antiques

"The furniture, tools, paintings, and other authentic European relics of the shop remind Disney guests of the tremendous foreign influence prevalent in our nation since its birth. These antiques, and the goods in all of the Liberty Square shops, reflect the mood of America's struggling years to independence, when immigrants from all over the world settled in the new colonies and brought with them their respective cultures and traditions." - 'Liberty Square's Yesteryear Shops', Walt Disney World Vacationland, Summer 1975
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Truthfully, we would all be very blessed if every seemingly minor aspect of early Walt Disney World were as well documented as that longtime mainstay of Liberty Square, Olde World Antiques. It gets rather extensive coverage in almost every Walt Disney World souvenir publication up until the early 1990s, usually warranting at least an interior picture and a mention in the body of the text, an honor which was rarely granted to attractions such as If You Had Wings or Mr. Toad's Wild Ride. And while Disney apparently never bothered to publish photographs of the early interiors of something like the Heritage House or the Magic Shop, it's startlingly easy to find documented evidence of what Olde World Antiques was all about.

In a way, this may be a reflection of the prestige Disney attached to this shop in particular. David Koenig relates in Realityland: "Resort-wide, the [Merchandise] department was led by Jack Olsen, a heavy-set old-timer, who usually dressed in shorts and a golf shirt and constantly preached that his stores were not factories. He wanted them operated first and foremost as part of the show, rather than designed and operated to maximize profit. Even though souvenirs imprinted with Mickey Mouse and other characters were the best selling merchandise in the park, none were sold in Adventureland, Frontierland, or Liberty Square. Everything had to be themed to the period."

Koenig then quotes a manager of one of these shops, who says: "Disney had very little business knowledge. Anything Jack Olsen wanted was okay. It didn't matter what it cost.... The antique shop in Liberty Square made about $100,000 a year - but spent $1 million! Money didn't mean a thing. They were movie people, there to put on a show."


So obviously some of the prestige of Olde World Antiques comes from its status as "part of the show", if a very elaborate and fanciful version of the show. Some of the emphasis may also be placed because of the shop's connection to the Disneyland original, the One-of-a-Kind Shop, apparently a Walt Disney creation. Stories of Walt Disney scouring the Crescent City for real antiques for his miniature New Orleans circulate to this day, and his haul apparently included furnishings for Club 33 and a big brass espresso machine for the Creole Cafe (Kevin Yee tells funny stories about being assigned to polish the huge and totally inoperable thing). Being in the antiques business even became something of a tradition for Disney, which at one point operated three distinct antiques shops - The One-of-a-Kind Shop, Olde World Antiques, and Von Otto's Antiques at the Walt Disney World Village. The Liberty Square shop outlasted them all.

Olde World Antiques was really three compact shops in one - Mlle Lafayett's Parfumerie, accessable directly from the rear of the shop facing Main Street, the Silversmith to the West, with the antiques shop rambling between and into them both. Vacationland had this to say about the Parfumerie in 1975:



"Time has not softened the desire of ladies and gentlemen to dab on a essences of imported perfumes and colonges. Sweet and spicy scents, drifting into Olde World Antiques from Mlle Lafayett's Parfumerie, entice guests into this little French-decor shop.


Among the crystal and china atomizers, soaps, pressed powder sachets and potpourri, are hundreds of popular and hard-to-find perfume products, including famous French lines. Yet, if a guest prefers a more personal fragrance, the hostess will custom-blend a perfume, choosing from the shop's seven basic perfume oils, ranging from the sweeter floral and citrus notes to the more heady scents of spice and musk. Then, each custom blend is numbered and recorded so that the guest may later re-order that same perfume without being present."
In light of this sort of thing, perhaps it's more understandable now why Disney once offered Shopping-Only passes to the Magic Kingdom around Christmastime. I have no photos showing the full interior of this cramped little nook, but here's an unusual image of the exterior entryway from the backside of the building, photographed totally by accident as part of the background of a picture of the Fife and Drum Band The Ancients doing their show:


The Silversmith, of course, existed mostly to lend atmosphere to the square, and any long-time Magic Kingdom visitor who remembers the beautiful silver pieces lined up in the windows, glinting in the Florida sun, will likely best understand the tactile loss this shop represented when it switched to generic Christmas items. Aside from that rather abstract addition, the Silversmith also name-dropped Johnny Tremain as the proprietor, which forged a very strong link to the nearby Liberty Tree via the fictional history of Tremain's apprenticeship, hanging of the lanterns in the liberty tree in Boston, and of course the Disney film made from it.

(Of course this detail may also have brought consternation for those of us forced to read through that book in elementary school, since obviously Johnny Tremain could hardly own his own silver shop because his hand was totally crippled in the first third of the book and most of us stopped reading it halfway through and cheated on the test. Either way, you remembered it when you were a kid, which can't be said of every detail you'd run past on your way to the Haunted Mansion.)



As for the antiques themselves, Disney took their stead quite seriously, and even hired an antiques buyer especially for their three shops: Otto Rabby (left), who was interviewed for Walt Disney World Vacationland in 1973. You may find the opinions expressed so long ago by Rabby and by the Disney company themselves to be refreshing and just a bit saddening:
"The antique shop at Walt Disney World deals exclusively in objects from abroad. Once, and sometimes twice, a year, Otto spends eight weeks searching for unusual items in Italy, France, England, Denmark, Holland, Austria, Spain and Germany. He deals only with reputable agents who, through long association, have learned to anticipate his requirements.

'Primarily,' he explained, 'I try to find objects that will interest, amuse, and attract as wide a variety of people as possible. The joy of my work is in finding the truly unique item that one sees perhaps once in a lifetime. Of course, I always look for certain qualities in a piece - good design, craftsmanship, authenticity, and an intangible thing I call "personality." An antique, by its very nature, in intriguing. It has a story to tell. I try to find out the personal history of every item I buy - who made it and for whom? Why was it sold? What happened to the original owners? If antiques could talk, they would put novelists out of business.'


Well, possibly. But as one looks at the bronze, 18th-century chandelier, complete with coiling cobras and gruesome gargoyles, that hangs in the shop, fantasies reminiscent of Edgar Allan Poe are brought to mind. And the gay but silent rocking horse from England, still bearing the scuff marks of its tiny rider in 1780, stirs up memories of Jane Austen nurseries and comfortable nannies.

'Our shops are essentially attractions for our guests,' continues Otto. 'We want people to feel free to visit and to browse, to ask questions and to share antique anecdotes with the shop host and hostesses. It isn't nessicary to buy antiques to enjoy them. We have many guests who return time and again, simply to look at an item that has struck their fancy.'

Guests not only return to visit with Otto and his associates but telephone from as far away as Australia to order antiques they have seen and can't forget. The shops have excellent shipping and crating facilities and will deliver anywhere in the world. Any antique purchased at Walt Disney World is guaranteed to be exactly what it purports to be - and that includes place and year of origin, quality of craftsmanship, and authenticity."

Olde World Antiques continued to meander along until the mid 90s, when the plug was finally pulled to make way for an expanded version of a shop which had been operating in Fantasyland under the name Mickey's Christmas Carol since the late 80s. The Mickey's Christmas Carol location became Sir Mickey's at the same time and so Otto's antique collection, all the silver, the perfume, and the antique rocking horse left the Magic Kingdom forever.

(look to the right for another view of Otto's 1780 rocking horse)


(This post is part of the Disney Blog Carnival. Click to enjoy an onslaught of Disney news and info!!)