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Showing posts with label Adventureland. Show all posts
Showing posts with label Adventureland. Show all posts

Friday, January 25, 2019

Caribbean Plaza: The Sound of the Sun

(It's BGM catch-up month here at Passport to Dreams, with two shorter posts this month to get a record of the remaining fully identified original loops online!)

Caribbean Plaza had its signature attraction, Pirates of the Caribbean, ready in December 1973 but didn't really mostly come online until April 1974, when all of its shops and snack bar were operational. At some point in that few-month period, a new piece of BGM arrived.

And so from December 1973 until July 3, 2006, Caribbean Plaza echoed with steel drums. Although highly atmospheric, much of the steel drum music begins to sound the same after enough time, and for years it was thought that the same steel drum music had been playing in the Plaza since it opened.

Thankfully a few years ago Mike Lee came forward with a 1991 live recording of Caribbean Plaza, which he identified as the music he had heard playing in the Plaza when he was a child. Since many of the original 70s BGM pieces survived until the early 90s, this was entirely credible as the original Caribbean Plaza loop.

Interestingly, it turned out to be merely the first 9 of 12 tracks of a single vintage album, played entirely in album order. Given our educated guess back in 2013 that the original Main Street BGM was simply one album played entirely in album order, this definitely fit an established pattern.

Caribbean Plaza Area Music (1973 - 1993)Running time: approx. 30:00 
01. Sixty-Nine
02. Patsy
03. Coc-che-ohco
04. Erica
05. Landlord
06. Mamma, this is Ma's
07. Mambo Lake
08. Love in the Mist
09. Linstead Market 
All tracks are sourced from the 1967 album Trinidad: The Sound of the Sun by the Westland Steel Band. Thanks to Michael Sweeney for identifying the tracks.

The Westland Steel Band LP has cycled through various owners over the years, and currently can be legally streamed through YouTube. I've created a playlist of the full Caribbean Plaza loop:


20 years later, Disney was modernizing Magic Kingdom's sound system and many old Jack Wagner loops, stored and delivered on magnetic tape, were being phased out and replaced with new ones as the new, CD-based delivery systems came online. Down the street, Adventureland Veranda's languid tropical strings were replaced with upbeat drumming from an endless loop of a single CD released by Balafon Marimba Ensemble. When Caribbean Plaza got its CD player, WDI imported a track from the then-new Disneyland Paris.

Caribbean Plaza Area Music (1993 - 2006)Running time: approx. 60:00 
01. Fire Down Below [3]
02. Grass Skirt [3]
03. Trinidad Girl [4]
04. Mary Ann [3]
05. Spear Dance [3]
06. Grenadine Jump-Up [1]
07. Zulu Chant [3]
08. Badjan Mambo [1]
09. La Paloma [3]
10. Soca Batiste [Edited: 00:00 - ~05:39] [2]
11. Jungle [3]
12. Calypso Non-Stop [Edited: 00:00 - ~07:00] [2]
13. Native Mambo [3]
14. Beef Island Merengue [1]
15. Spur Dance [Edited] [3]

[1] Bomba!: Monitor Presents Music of the Caribbean by Various Artists (Monitor Records, MFS 355)
[2] Steel Band: Antigua & Trinidad by Various Artists (PlayaSound)
[3] Steel Band Music of the Caribbean by Various Artists (Legacy International)
[4] Steel Bands Carnival by Various Artists (PlayaSound)
Notes: Playlist based on 2009 live recording of El Pirata y el Perico by Horizons and compiled by wedroy1923 with assistance from eyore, Filmographik, and needmagic.



One of the goals of the area music conversion in the 90s was to get more music playing in more places of the park, and to get more consistency across the musical signatures of the various areas. As a result the new loop played in areas which previously did not have music, such as the snack stand complex across from Pirates of the Caribbean. This allowed the 1993 loop to survive the area's switch to Pirates of the Caribbean movie music in July 2006 and be recorded and documented in 2009.

Speaking of the Pirates franchise movie score BGM, the history of that version is an interesting story in of itself. While it overtook the steel drumming in 2006, it's gone through multiple versions and locations over the years.

While the hour-long length of the thing strongly suggests it was created for Magic Kingdom from the start, the movie score music was actually used at Disneyland in the attraction's foyer area, displacing the iconic Pirate's Overture for at least a few weeks before being removed. The movie score music actually stuck at Magic Kingdom, where it very soon began to feel at home amongst the sun-washed plaster walls. The original version of the loop was retired in 2007 when the score for the third film, At World's End, was made available, replacing several redundant cues and greatly improving the variety of the loop.

El Pirata Y El Perico was given a mild facelift in 2011 and re-christened "Tortuga Tavern", at which time the 1993 steel drum loop was removed and replaced with a new loop of nautical and ocean-going music. Interestingly, as of Summer 2018 this Tortuga Tavern music now appears to play in the main corridor of Caribbean Plaza, with the movie score being relegated to the extended queue outside of the attraction.

I'm sure kids born in the early 2000s will one day be nostalgic for the Jack Sparrow music, which did indeed lend a sleepy area of Magic Kingdom a certain gravitas. My nostalgic preference is for the sound of the steel drumming music, but there's honestly nothing inherently wrong with any of these choices; what should the 16th-century Caribbean "sound" like anyway?

Miss the original Pirates of the Caribbean? Take a listen to my restored soundtrack of the 70s version here.
Want more theme park music? Check out the Passport to Dreams Park Music Hub!

DEAR READERS: Starting in 2019, Passport to Dreams will be going off its monthly update routine, to focus on providing more of the long-form writing this site excels at as well as clear time for larger projects that need to get finished. If you'd like to get updated on when new posts arrive, please follow us on Facebook or Twitter. Thanks for your support!

Friday, November 02, 2018

Let's Have A Drink On It! Adventureland Punch

I tried hard, I really did. After the last, surprisingly successful installment of this series, I knew summer was coming soon and a nice, summery WDW drink would be appreciated. The Monorail Yellow, a classic Disney variation on the Pina Colada, seemed as good and summery a place to start. But after about two months of testing, with summer come and gone, I have to concede defeat. You shouldn't make a Monorail Yellow; instead, you should make a Painkiller*, which uses the same four ingredients in a vastly improved proportion.

(*For my notes on this process, see the comments)

Which left me pretty well out of ideas for a new drink. However, with the holidays on the horizon I had been thinking of the large-bore old fashioned punch recipes of times past. With large gatherings of friends in the future, what if I created a new punch in honor of Adventureland? After all, the punch tradition evolved into the cocktail, and probably began at English colonial outposts in places such as Macao and Bombay. And while my own efforts to put together a tiki-esque drink in honor of Adventureland had met with mixed success, surely if there was any drink that could represent Adventureland, it was punch.

Punch - Getting Drunk the Long Way

Punch? You mean that stuff that's made at Christmas out of 7-Up? Well, no, not exactly.

In this case we're going to make a genuine 19th century-style punch, which provided the template for the cocktail and eventually morphed into the Tiki Drink. And although the techniques are similar, a punch requires a slightly different mentality than a cocktail. If you're accustomed to the cocktail way of doing things, you're going to be tempted to make substitutions - but please, don't. This section exists to show you why you need to think of building this drink differently.


Punch was intended to be made in a huge vat and it was, essentially, the evening's entertainment for a group of people. This differs from a batched cocktail primarily in the fact that punch was only rarely iced and was intended to last a very long time. This means that water was always added to the punch to dilute the alcohol before it was consumed - it was designed to remain the same flavor of the course of how ever many hours it took the group to demolish the contents of the punch bowl. Compared to this, cocktails are intended to be consumed fairly quickly - indeed, much of the charm of an Old Fashioned or a Zombie is in the way its flavors change as the ice melts and dilutes it over the course of its life. Cocktails dilute while they sit; punch is already diluted to the proper levels in its construction.

The dilution in punch was often accomplished with water - sometimes boiling, if the punch was a winter time drink intended to be served hot. Several of the most infamously strong punches were diluted with champagne, like the Chatham Artillery Punch. So when you assemble this recipe, please don't be tempted to over-chill the contents - it's intended to be cool, but not cold. You also need to drink it slowly, not just because it's stronger than you think, but it can be hard to stop drinking punch once you start!

The other item you need to be mindful of is punch's main distinguishing characteristic vs a cocktail... the oleo-sacchrum compound, which I will be calling the "sherbet" in this article. "Oleo-sacchrum" is faux latin for "oil sugar", and that's basically what it is: sugar infused with citrus oil. You make this in a big batch at the start of the recipe, and it has a heft and body which cannot be replicated by any shortcut method. The sherbet is what makes a punch a punch, and what makes this recipe delicious, so you will need to take the time to do it properly. I promise you, your patience will be rewarded.

Finally, besides the somewhat time consuming creation of the sherbet, the real trick in punch making is getting the proportions correct. After some testing and reading up on the subject, I have decided to embrace the proportions of 1:1:4:6 as the most delicious and easy to remember.

We're off for Adventureland, and punch awaits! But first, let's take a quick tour through our ingredients before we get into the nitty gritty of how to make the thing.

One of Sour, One of Sweet

The Sherbet, or oleo-sacchrum, is the kind of thing you read about and shake your head, but any home drinker who has mixed up their own simple syrup can do this. To be fair, the cause has not been helped by those who advocate for soaking the sherbet for four hours or some absurd interval. They didn't have that sort of time, not even in India in the 18th century, when getting roaring drunk on punch was just about the only thing worth looking forward to. The creation of the sherbet will be expounded in painful detail during the construction phase.

By the way, the term "sherbet" is historically correct and borrowed from the famous dessert. If the liquor component of the punch is added and the whole thing bottled, this is called a "shrub" and was a common labor saving technique in the 17th and 18th centuries.

Four of Strong

Here we get into murkier territory. Limes cannot be used to prepare a sherbet, as their oil is far too bitter, yet lime is absolutely the citrus of choice if we are going to be using rum as our main strong component here; more on how I get around that later. I've gravitated towards rum, not only because it's cheap, but because this drink is intended to represent Magic Kingdom's Adventureland, of which Pirates of the Caribbean is a key component. In order to make the rum get along nicer with the rest of the cocktail, I've cut about a quarter of it with brandy.

The brandy here need not be an excellent one; Paul Masson makes a surprisingly good California brandy which is spiked with a bit of actual cognac, called "Grand Amber" and it can be obtained for less than the cost of a Big Al Trading Pin. Of course, if you have a bit of Hennessy or Martell laying about, it won't hurt the final mix either.

Personally I suggest you save your money for a  excellent rum, which must be of a Jamaican variety and have a good amount of that island's characteristic pot still "funk". The best choice here is Smith & Cross, which is expensive but makes a truly nectarous punch. I've also had good luck with the Plantation line; their flagship offering as well as their O.F.T.D. have enough of that chewy heft to cut through the sugar. In times of extreme duress, you can cut a smooth dark rum like El Dorado with a bit of Wray & Newphew White Overproof, which is a great funky mixing rum, but it won't quite have the same luscious texture.

Six of Weak

Time to add some Magic Kingdom to our punch, and there's nothing more Magic Kingdom Adventureland than the Orange Bird. Originally I was experimenting with orange sodas such as Fanta here, but they simply drowned out the delicate balance of spirit and lemon I had worked so hard to get to. Orangina, the driest of the sugary orange sodas widely available on the market, was also far too sweet here.

Thankfully. San Pellegrino is distributed in even the most humble hamlet, and their dry orange soda - San Pellegrino Arancia - has barely any sugar in it and did the trick nicely. If you have a favorite Italian-Style dry soda in stock, it may be substituted. I also had excellent luck mixing various sodas as well as trying out combinations such as blood orange and ginger ale, but none quite matched the clean citrus flavor of the Arancia.

Finishing Touches

With a sturdy framework established, it was time to try variations. I tried to add cherry notes reminiscent of Hawaiian Punch or the Singapore Sling through Cherry Heering, Marascino and Kirsch, but all of these simply muddled the existing flavor. Ditto attempts to introduce pineapple juice, which is simply too thick and distinct to integrate into the punch. Gin, Benedictine, spiced rum, and absinthe similarly failed to perk up my punch in any appreciable way.

Instead I found the best option to put some life back into it was through the simple addition of fresh citrus. Since there's already rum in the glass, I found it best to cut a wedge of lime, run the cut edge of the lime around the rim of the glass or punch bowl, squeeze the fresh juice into the punch, then drop the spent wedge in as garnish.

It was this combination of three citrus flavors - lemon, lime, and orange - that really pushed the punch over the top, making it redolent of tropical shores without being cloying. It is, as they say, almost as much fun as New Year's Eve in the orange groves.

Construction

Here we go, and we're going to be doing this with Instagram-friendly photos to show everyone just how easy it is to make the Sherbet. You want to gather up two very large lemons, a swivel-bladed vegetable peeler, a muddler, and weigh yourself out four ouches of sugar.

For the sugar, you can use refined white sugar, but I found I liked Florida Crystals, not just because Adventureland is in Florida, but because they add a nice complexity to the sherbet. You can go overboard and use Sugar in the Raw here, but it will take much longer to dissolve. You need a nice fine-grained sugar.

If you don't have a muddler, you can use anything that will allow you to squish the lemon peel and release the juice, such as the bottom of a glass jar or a heavy spoon.


Pare off the lemon peel in as much of a single, continuous strip as you can. Leave as much of the white part behind as you can. If you're used to making lemon and orange twists at home for martinis and old-fashioned, you may surprise yourself with how easy you will find this.

The long strips are more for ease of retrieval down the line, so if you have trouble making the long peels, don't worry - you can strain them out later.


Dump on your sugar and muddle the peels a little bit. You don't need to go crazy here, just get everything nicely combined.


Put aside your lemon-sugar and juice your lemons. You want to reserve as much lemon juice as you had sugar, so in this case, 4 ounces. I like to use 2 ounces of sugar and 2 ounces of lemon juice per lemon, which will get me close to that nice 1:1 ratio.


Okay, you're done for now. Go water the lawn, make a drink, or play with your dog. Go away for about 45 minutes, when you come back, you should see this:


This is one of those cases where a photo isn't nearly as obvious as this is in person, but the sugar should be very saturated with lemon oil and the whole bowl should have a nice clean lemony scent. Now to combine the juice into the sugar.

I've found the easiest way to do this is to dump the whole contents of the bowl into a tight lidded jar, add the lemon juice, and shake it. Leave it out on the counter, and every time you walk past, shake it again. Very soon, you'll notice the sugar is fully integrated into the juice. Now you can fish out the spent lemon peels and pop your sherbet into the fridge.


Ready for a drink? Measure it out thusly:
JUNGLE NAVIGATION CO. PUNCH 
.5 oz oleo-sacchrum
1.5 oz strong rum (Smith & Cross)
.5 oz brandy (California)
2 - 3 oz dry orange soda (San Pellegrino Arancia)
cut a lime wedge, rub it on rim of glass, squeeze juice into punch

If your sherbet and soda are nice and cold, no ice is needed. You don't need to put this in a shaker and strain it off; everything can simply be combined into a glass and, if you like, stirred. If you use a short glass, you'll find the simple action of adding each ingredient, especially the carbonated soda, combines everything just fine. I like this with more like 2.5 ounces of the soda, but experiment and see what works for you. Always start with less; you can't un-dilute your punch.

If you want to make your sherbet into a shrub, to your 4 ounces of sherbet add 12 ounces (a cup and a half) of rum and 4 ounces (half a cup) of brandy. Shake, then refrigerate in bottle until ready to use.

--

I named this after the Jungle Navigation Company because, much like working at the Jungle Cruise, it's sweet and tropical but it will lay you out if you're not careful. Despite being nearly half alcohol, the lemon oil and sugar takes the edge off the rum to such a degree that by the time you've had three of these, it's far too late. What I'm saying is: approach with caution!

The whole thing can be built in a bowl and will serve, say, six adults to various degrees of lubrication; if you do that you can build the punch right in the same bowl as the sherbet. It may be hard to get the sugar to dissolve in the lemon juice without the use of force in a sealed jar, which is why it was common in the 18th century to add a bit of boiling water to the punch bowl (say, 2 ounces) to mix the whole thing up.

In my opinion, if you're going to go through the trouble to get you and your friends good and drunk on punch, it's worth taking the time to assemble the bottled shrub as specified above and then cutting it with around 2 cans of the dry orange soda. Again, start with less and adjust to taste.

The glasses used should be very small, around 2 ounces each, not only to encourage conviviality around the bowl, but to help temper the urge towards excess.  If you stop by a thrift store, you should be able to procure a punch bowl and set of glasses for relatively cheap.


There are two other entries in the "Let's Have A Drink On It!" series: The Howling Dog Bend and Seven Seas Drink. If you have a favorite WDW cocktail that you think is worth reworking, suggest it below!

Friday, October 12, 2018

Magic Kingdom in Early 1972

Let's take a break this month and enjoy some vintage photography.

I don't do this sort of thing all that often, not only because it's fairly time consuming, but most often vintage vacation slides aren't all that great. There's almost certain to be a wide array of throughly mediocre parade and Jungle Cruise shots, and what with the state of photography until the late 80s, most often blurry or out of focus.

But sometimes you luck out, and you come across a batch of slides not only properly exposed and well framed, but which capture interesting and relevant details of the parks, and this is what I have for you today. I bought these slides from Mike Lee, who had given up on properly digitally scanning them, and after sorting out all of the various vacation trips into neat categories it was clear these were both ambitious and interesting. Let's take a look.


We first encounter our heroes in the Hub, where they are preparing for the day.


This shot provides not only an excellent view into the vacant rear expanse of tomorrowland, but the light catches on the waterfall just right and really drives home how cool those must have looked when they were operating properly. Within a few months Disney would drain these and install little bumps all down the surface of the falls to make the water more visible, which really only had the effect of getting everything around them wet. But in the first months of 1972, you can really see this feature working properly.

The Grand Prix was their only shot in Tomorrowland.


There probably isn't a worse attraction boarding area at Magic Kingdom, then or now. In 1973, the attraction would be refurbished and murals would be added to those plain rear walls. Every so often, I see a photo like this that reminds me that the boarding area's sole decorative embellishment - that car on a tiny pedestal along the rear wall - has been there fire nearly five decades.

Up until the Indy car sponsorship of the 90s, the spotter on the elevated platform would wave a big checkered flag and everyone would pull out of the load area at once, which was a cool touch. I guess in defense of the Grand Prix, real life race tracks aren't very attractive either.

On to Fantasyland, with some fun character shots.


You can tell this is an early 1972 set because throughout our heroes are posing holding the large fold-out Magic Kingdom map. The first GAF Guide was not printed until Spring 1972, so early visitors either had to spring for the large fold-out wall map or use the map printed in Walt Disney World News.

Here's Kids of the Kingdom performing at Fantasy Faire. At this point they may still have been known as The Kids Next Door.


This is the exact lineup of performers who also appear at The Top of the World at the end of The Magic of Walt Disney World, which I think is pretty cool.

Fantasy Faire was a bandstand with a raising and lowering stage, exactly like the one still in use at Disneyland Tomorrowland. Anybody who insists that the Haunted Mansion's stretching rooms had to be redesigned to go up due to the water table, remind them that Fantasy Faire and Tomorrowland Terrace used identical Otis piston elevator platforms in 1971.

Fantasy Faire continued to host performing groups and stage shows until it was demolished to make way for Ariel's Grotto in 1994, which itself was demolished for New Fantasyland in 2009.

On to Liberty Square!


I'm not sure when the stocks were widened to allow you to stick your head in them, probably within the first few months after opening. If there any Disney thing that's been more widely copied than this simple gag?

If you look waaaaay in the background, you can see the white construction wall surrounding the Frontierland Train Station.


The Haunted Mansion's rain canopy would not begin installation until March or April 1972.


I love these early shot of the Mansion way out on the edge of nothing. The glass windows were originally red, but they were changed at some point early on. When the facade was rebuilt in 2016, they brought the red panes back, which I thought was a great touch.


Here's a rare view from the line for the Hall of Presidents! This is around the west side of the building, between the colonial home facades and the "village green". The green would be partially removed to build the covered waiting area later that year, and fully removed to be replaced by the current circular planters and tables by 1980.

Off to Adventureland...


If you don't recognize this band stand, I posted a lot of information about it earlier this year.



Standing in line for the Jungle Cruise. Notice that Disney has split the courtyard with benches and trash cans, forcing exiting traffic to proceed up the hill towards the Treehouse. You can also see those butane torches that used to burn all over Adventureland. I remember them lasting until the late 90s, but I'm not sure when they went away for good.

The photos from the Jungle Cruise trip was nearly a total bust, underexposed and uninteresting, though there is this evocative shot of Schweitzer Falls from the rear of the boat:


But not all was a loss, because our heroes stopped to pose for this superb shot of the drumming tikis, the best of its type I've ever seen:


It looks like it's astro-turf on the ground around the tikis. This would be relocated nearer the Tiki Room in just a few months, but it does look really fun to go into this circle. Marc Davis was a very underrated designer of simple interactive elements.


Over at the Tropical Serenade, it's February or March 1972 and still no Barker Bird. I believe it was somebody in Operations who made the call to add him to draw attendance to the show; it was definitely in place by June 1972.


Nearby, Country Bear Jamboree is the runaway success of Magic Kingdom! One interesting but little-reported detail is that originally, Tropical Serenade was an E-Ticket and Country Bear Jamboree was a D-Ticket... until January 1972, when the ticket prices of the two attractions switched! Hall of Presidents and Mickey Mouse Revue did the same thing at the same time, for pretty much the same reason.


I love this shot. I've seen hundreds of vacation slides and only these folks thought to photograph that indelible part of any theme park trip - waiting in line. Entertainment guides from early 1972 call these folks the "Mariachi Band", although the 1972 "A Musical Souvenir of Walt Disney World's Magic Kingdom" lists them as Mariachi Chapparal. The group that performed at the Contemporary was officially known as Los Gallos, but they probably shared personnel.

The facades of both Bear Band and Jungle Cruise were intended to house performing groups in this way, although the Adventureland Steel Band would only perform above Jungle Cruise for one day before being moved elsewhere. I've also seen a "Safari Band" performing on the veranda above the Juice Bar at the entrance to Adventureland. I think this is a very clever way to provide musical entertainment without having to stop the park in its tracks.


It's getting late at Magic Kingdom and the lights are on now, so after a brief visit with Brer Fox and Brer Bear it's time to head back home on the monorail.


Thanks for joining our unnamed heroes on their adventure through Magic Kingdom as it was almost 45 years ago, and thanks to our heroes for thinking to take such fun, interesting photographs! I have a few other similar posts on this site's Walt Disney World History Hub, so if you enjoyed this there's more to be seen out there! until next time!

Friday, August 24, 2018

The Music of the Tropical Serenade

This post was updated with new information on January 2, 2022.

🎶 Let's all sing like the birdies sing... 🎶

No, not that music of the Tropical Serenade.  Today let's get detailed and talk about the music that played outside of the attraction throughout its lifetime.

Tropical Serenade is just about the only WDW attraction which has had an authoritative original BGM available online since the 90s - or, at least, what was widely accepted as authoritative. As part of the early legitimate loops available through collector's circles such as the Main Street USA music, King Stephan's Banquet Hall and Adventureland Veranda, the "Sunshine Pavilion BGM" was vouched for by several sources, and How Bowers recently released a live recording made in the 90s which confirms its authenticity.

Co-incidentally, Ryan Komitor, who recently did an incredible job rounding up all of the original Adventureland Veranda music, pointed me in the direction of a fairly obscure Criterion Records release, The Beat of Tahiti. It's unpolished, in situ records of Tahitian drumming, but most importantly it provided the two missing tracks for the Sunshine Pavilion BGM.

Sunshine Pavilion BGM 1971 - 1998
01. Voodoo Bamboos [Edited] [2]
02. Kawohikukapulani [1]
03. Fautaua (Rain) [Edited] [5]
04. Bora Bora [Edited] [5]
05. Kalua [3]
06. Trade Winds [4]
07. M' Bira [3] 
[1] Hawaiian Sunset by Arthur Lyman (Hi-Fi Records, SR807)
[2] Night of the Spectre by Chaino (Tampa Records, TP-4)
[3] Primitiva by Martin Denny (Liberty)
[4] Soft Hawaiian Guitars by the Hawaii Calls Orchestra (Capitol)
[5] The Beat of Tahiti (Criterion Records TT-170) 
Compiled by Jay, wedroy1923, and Ryan Komitor

This loop is commonly labeled as being from 1971, a date I accept in the absence off any more compelling evidence. As I’ve hopefully repeatedly demonstrated on this site, the music rollout at Magic Kingdom for the first few years was messy and sporadic, and nailing down dates is largely an exercise in frustration. However, Disneyland had been using music in the lobby areas of their attractions more or less since the 60s, so I think it’s reasonable to assume that Disney prioritized waiting area loops over generalized area loops and that Jack Wagner would have cranked this out to be ready for the October 1971 debut. If this is true then this is probably his original exotica loop.

Like other early 70s loops, such as those for the Adventureland Veranda and Liberty Square, it’s a surprisingly conceptual loop, not at all like the aural exotica wallpaper he would create for later Adventureland music projects. We know this because his loop for the Disneyland Tiki Room Lanai, created in 1976, also still exists, and it’s a totally different creature.

The Sunshine Pavilion loop intersperses aggressive, almost dissonant drumming tracks with the standard exotica music you’d expect to hear outside of a Tiki Room. What first seems to be an odd choice gains more meaning once you realize that these drumming tracks were not easy to find; the first track, by weirdo experimental drummer Chaino, is a very close edit of a very specific section of one track from one very obscure album. Jack didn’t have much room for error in editing this, because just seconds on either side of the section he used are the sounds of panting and screaming!

Two selections from "The Beat of Tahiti”, which is more of the sort of thing you’d expect the Smithsonian to release than a proper music album, are followed by a Martin Denny track which begins with drumming in a similar tempo, creating the illusion that the aggressive island drums fade into an exotica reverie. The final track, another Martin Denny confection, is again heavy on the percussion, climaxing with a flurry of drum beats to herald the start of the pre-show.



I think the idea here was predicated on the entry area of the attraction being a Balinese pagoda, and perhaps related to the pre-opening term of the central feature of the Sunshine Pavilion itself being a “Ceremonial House”. That is one place you would expect to hear exotic drumming, and threading the exotica music through jazz and authentic folk music recordings is an interesting idea. I don’t think Jack totally pulled off the idea, mind you, but it’s a deceptively carefully crafted piece of work.

UPDATE: I found some extra information in a recent research dive that pieces together some more information. According to the Tampa Tribune, Dec 22 1974, while discussing the Florida Citrus "reception room", they mention in passing...
“Sounds come sifting through from the pre-show area, where guests to the entertainment attraction are plied with Polynesan-style music, punctuated at intervals by an Anita Bryant recording, “Meet me in the shade of the Sunshine Tree…”
This would be from her 1967 album "The Sunshine Tree", first song on Side B, "Sunshine Tree", which you can hear here: 



If we add this 2:20 song to my existing 15:20 reconstruction, we get 17:40. The show runs 17:13 on the original soundtrack LP. So there's good evidence that this was in the original 1971 loop, either at the start or the end. My money would be on it appearing at the start of the loop, but you never can tell. Since the Clyde & Claude toucan pre-show runs about 5 minutes, it's impossible to tell if the music simply looped endlessly while the pre-show was not running or if it restarted every time the theater show was activated. While I worked at Under New Management in the late 00s it restarted with the show, but significant work was done on the show infrastructure in the early 80s (when this song was likely deleted) and I'm no longer 100% confident that it would have worked in exactly the same way.


Under New Management was a bad idea for a bad show, but one element that took the sting out of it was that the attraction received an absolutely phenomenal waiting area loop. In the generation since Jack created his first exotica loop, Tiki culture had died on the vine and then come roaring back to life - right about the same time the Tiki Room had gone UNM. The incubator of the Tiki revival was Southern California, so somebody inside WDI knew what they were up to here. Instead of drumming interspersed with leisurely island music, the new waiting area loop was a glorious crescendo of the patron saint of exotica lounge - Martin Denny.

Beginning with a track in which Denny and his percussionists were merely the supporting act to Arthur Lyman, the group’s signature jungle howls and wails build and build, leading up the original single version of Denny’s immortal Quiet Village. The track manages to be fun, kitsch, and melodic all at once while blending a near history of lounge exotica music into a cohesive whole. I worked at Under New Management for a while, and while I can confirm that audiences simply didn’t like the thing, I was pleased that the sacrifice of my sanity for a few months more than prepared me to rebuild this waiting area loop from memory.

Oh, and after all of that rich atmosphere building by the music and architecture, then the waterfall opened and the talent agents of Iago and Zazu would bicker at each other. You know, fun!
Enchanted Tiki Room: Under New Management Waiting Area Music 
01. Taboo [1]
02. Martinique [2]
03. Love Dance [2]
04. Quiet Village [2] 
[1] Exotic Sounds of Arthur Lyman by Arthur Lyman (Legacy International)
[2] Exotica: The Best of Martin Denny by Martin Denny (Rhino) 
Playlist compiled by Jay



Under New Management was also the recipient of another unlikely first, the first and only Tiki Room to ever have an area loop. This played out of the exactly one speaker situated on the facade pointing out towards Adventureland, and after the construction of the Magic Carpets of Aladdin was mostly inaudible. For the identification and preservation of this information we can thank Jay at Magic Music, who spent many no doubt painful months compiling the data.

Enchanted Tiki Room: Under New Management Area Music 
Running time: approx. 52:44 
01. Jungle River Boat [02:32] [2]
02. Bwana A [03:08] [1]
03. Moon of Manakoora [02:34] [3]
04. The Enchanted Sea [01:57] [2]
05. Moon Over a Ruined Castle [02:56] [1]
06. Hawaiian Paradise [02:44] [3]
07. March of the Siamese Children [01:29] [2]
08. Dahil Sayo [02:28] [1]
09. Jungle Flower [01:47] [2]
10. Magic Islands [03:37] [4]
11. Hawaiian War Chant [02:33] [3]
12. Escales [02:26] [2]
13. Ye Lai Sian [02:48] [1]
14. Oahu (My Lovely Island Home) [02:47] [3]
15. Baia [03:15] [2]
16. Yellow Bird [02:32] [1]
17. My Little Grass Shack in Kealakekua Hawai'i [02:34] [3]
18. Aku Aku [02:37] [2]
19. Tropical [02:51] [4]
20. Aloha Nui Loa [02:50] [3] 
[1] Exotic Sounds of Arthur Lyman by Arthur Lyman (Legacy International)
[2] Exotica: The Best of Martin Denny by Martin Denny (Rhino)
[3] Hawaiian Songs for Dancing by Guy Lombardo (Decca)
[4] Legend of Pele by Arthur Lyman (Rykodisc)
In the absence of a live reference recording of this material, I don't think a reconstruction is ever going to be possible. As I mentioned, the music was practically inaudible in the park, and the only track I can ever remember hearing clearly is the Guy Lombardo version of Hawaiian War Chant. I'm only halfway positive that the Lombardo tracks were edited to remove their vocals, and unlike with the pre-show music, my memory here is fuzzy enough that I'd rather not trust it.

However, for posterity's sake, here is the Guy Lombardo Hawaiian Songs for Dancing album, which seems to have never been re-released in any form, preserved in amber in amazing 1949 low fidelity!


In 2005, Disneyland’s Tiki Room got a top to bottom overhaul which included the retirement of the old Jack Wagner waiting area music from 1976 and the introduction of a new loop of Hawaiian Guitar music. This same loop was copied over to Magic Kingdom in 2011 with the reopening of the original show there, where it plays on to this day.

That’s 50 years of Enchanted Tiki history for you, and like all of us, there’s a lot of highs and a lot of lows too. Let’s hope the music plays on and on.

Do you like exotica and mood music? I've got a treat for you, because there's a treasure trove of playlists and reconstructions just like this as well as other resources over on our Theme Park Music page!

Friday, May 25, 2018

The Secret Recording Career of George Bruns

One of the troubles with being canonized as a Disney Legend is that all of the rest of your life's output tends to become a sidenote to that studio in Burbank. There's a handful of artists like Rolly Crump and Walt Peregoy who were busy enough and rebellious enough to avoid total identification, but it's no coincidence that when we think of Disney Legends from Walt's time, we're thinking mostly of loyal Disney lifers like Frank Thomas and John Hench.

And then there's George Bruns, who probably ranks third in the Disney pantheon behind Charles Wolcott and the Sherman Brothers in establishing what Disney "sounds like". He wrote The Ballad of Davy Crockett, the bass inflected soundtrack to 101 Dalmatians, and the soothing, mysterious music heard in The Jungle Book. He wrote the original score heard in Pirates of the Caribbean, which to these ears may be the finest attraction soundtrack ever. His jazzy inflection of bluegrass means that his layered, toe-tapping orchestrations for Country Bear Jamboree haven't dated a lick in a half century.

But what isn't well known is that George continued to record other material before, during, and after his career at Disney. It may not be well known, but it's out there. So this time at Passport to Dreams we're going to be looking at and listening to the unknown recording career of George Bruns.

Early Life and Dixieland

Born in Oregon in 1914, the earliest places you can hear George Bruns doing his stuff is in Dixieland and Jazz recordings from the 1940s. The group he seems to have been most associated with was The Famous Castle Jazz Band, where he played lead trombone. The Castle Club was a nightclub south of Portland, and seems to have been famous and popular as a location for great jazz. Here's George on trombone in a 1949 recording:



He also seems to have appeared with jazz legend Turk Murphy on a handful of recordings around the same time, sometimes on bass and sometimes on trombone.

It seems fairly clear that before Castle Club, George had organized his own group of musicians as "George Bruns and His Jazz Band", and they had recorded a number of tracks for the famous Commodore jazz label out of New York. I can't find any evidence that these recordings were actually released at the time, and the only reason we know they exist is due to a pricey and out of print 60 LP (!) reissue of Commodore's entire library in 1990. George appears in Volume III of the set, which means he made the recordings sometime between 1938 and 1943. I tried to track down a library copy of this set to heard these recordings, but it seems that somebody with more patience or deeper pockets than I will have to be up to the task.

Which brings us to our first recovered recording, and the sad fact is that I have no idea when or where it was made, however it makes more sense to group it with these early Jazz recordings than the later ones, as we'll soon see. But first I have to explain how the heck we even have it.

In the mid-60s, Reader's Digest got into the business of promoting and selling huge boxes of LPs all under a certain theme. The original examples, such as a box devoted to Swing music or light classical music, were actually produced by other companies and sold by Reader's Digest through a mail-in voucher. They were enough of a success that Reader's Digest was producing several "theme" sets a year, and continued to do so well into the 80s on LP, 8-track, cassette, and eventually CD.

The company Readers Digest eventually settled on contracting to create these sets was RCA. RCA already had a massive back catalog of releases because they operated a program in the 50s and 60s very similar to the Columbia House CD programs of the 90s - where new albums would be sent to you directly, monthly. As a result RCA recorded a lot of albums that never saw general release outside of special "RCA Music Service" shipments, and probably sat on many more without ever releasing them. It was primarily this back catalog of recorded music that filled out the Reader's Digest "theme" LP sets, especially the early ones.

Which is how George Bruns managed to appear in a Reader's Digest compilation album, Gaslight Varieties, released in 1969.


1. The Cakewalk in the Sky 00:00
2. Down South 02:44
3. Any Rags? 05:32
4. Kentucky Babe 08:06
5. I Love My Baby 10:40
6. At A Georgia Camp Meeting 13:30

Gaslight Varieties is pretty interesting to Disney fans - besides the Bruns tracks, there's a lot of Thurl Ravenscroft and Mellomen tracks throughout - but interesting isn't the same as actually being very good. RCA tended to use second best options when compiling these sets to keep costs down, and the result is albums that quickly wear out their novelty and have no real sense of progression.

Because of the way RCA structured these albums, we have only one side of one record of Bruns playing Ragtime music - the other side was never released. It's impossible to tell when this was recorded, and there are no personnel credits besides "George Bruns and his Rag-A-Muffins". We're not even sure what the album was supposed to be called, although RCA named that side of the record "Ragtime, Yessir!"

But at least get have six good tracks of previously unheard George Bruns music out of it! It's good stuff, wonderfully "hot" jazz similar to his work with the Wonderland Jazz Band on the famous "Deep In The Heart of Dixieland" Disneyland LP.

To The Tropics

George eventually provided jazzy music to several UPA cartoons before being scooped up by Disney and embarking on the recording career we know him for today. And despite his busy career writing music for dozens of Disney projects, he found the time to produce and record a tropical easy listening record!

As part of the background music for the Ford Magic Skyway at the 1964 World's Fair, George recorded a piece of music called "Moonlight Time In Old Hawaii", which he later expanded out to a full size album, released by Vault Records in 1969 or 1970.

This record is at least somewhat famous in Disney circles today for its use at the Adventureland Veranda in the 80s. It's also tough to say if it was really ever properly released at all - Vault, as a record label, was floundering in the late 60s, and ever copy of "Moonlight Time" that I've ever seen has its "Promotional Copy" sticker still attached. This scarcity and its mild fame in Disney circles has driven up its prices on the secondary market. Thankfully, Chris Lyndon beautifully restored a transfer of my copy, so now you can enjoy it whenever you like:


Side A
1. South Seas Island Magic (0:00)
2. Hawaiian Paradise (2:52)
3. Moonlight and Shadows (5:40)
4. To You, Sweetheart, Aloha (8:28)
5. Paradise Isle (11:24)
6. Song of Old Hawaii (14:36)

Side B
7. Blue Hawaii (17:04)
8. Moonlight Time in Old Hawaii (20:01)
9. Sweet Lelani (23.:24)
10. Aloha Nui Hawaii (26:38)
11. My Tane (29:30)
12. Ka Pua (The Flower) (33:16)

Now, I may be biased, because I obviously liked this well enough to seek out a copy and have it preserved, and I also have a weakness for atmosphere music, but I think this is a terrific exotica record. There's nothing quite like the soothing strings and languid pace of this music to make you slow down and relax when you need it. It's a shame it never got a real release of any kind, and that its one release has a cheap stock photograph from Pan American for a cover.

The world may have whipped clear past Moonlight Time in Old Hawaii, but I'm pleased to have helped it continue to weave its spell over listeners in the digital age.

Retirement and Beyond

Our final record is a treat, and one I'm very pleased to have been able to "rescue" for posterity. After his retirement from Disney in 1976, George moved back to Oregon and taught at a local college part time. And he recorded one last record, the delightfully titled "Have A Good Time With Big George Bruns".

It's tough to say if George explicitly intended this to be a testament record, but that's what it plays as: a summation of his whole career, mixing hot Dixieland jazz riffs with Disney tracks in equal measure. The albums begins with "Happy Rag", familiar from a million Disney promotional films, and ends with the theme music to The Love Bug. Throughout, he includes such deep selections as "Inky the Crow" and "Ah, See the Moon", a total nonsense song he wrote with Ward Kimball for Ludwig Von Drake!

But the real stand out aspects to Have A Good Time are its inclusion of an electric organ and Lou Norris - a jazz singer who adds a lot to the "throwback" numbers on the record. I can't determine if Miss Norris ever made another recording, so it's more likely that George met her locally at Sandy Hook. But she has a terrific voice, and it's easy to see why Bruns included a prominent credit (and caricature) of her on the cover.

That cover was drawn by famous cartoonist Virgil Partch, by the way, who is miscredited on the album sleeve as "Virgil Parks".


Side A
1. Happy Rag (Bruns) 00:00
2. You’re Gonna Be Sorry (Bruns) 02:57
3. Inky the Crow (Bruns) 05:53
4. Please Come Back Big Daddy (Hilton-Bruns) 09:00
5. Have A Good Time (Bryant-Bryant) 11:59
6. Ah, See The Moon (Bruns-Kimball) 14:57

Side B
7. When You’re Gambling (Fisher-Goodwin-Shay) 18:04
8. Where Has The Melody Gone (Hilton-Bruns) 21:04
9. Wabash Blues (Meinken-Ringle) 23:41
10. Mama’s Gone Goodbye (Bocage-Piron) 26:44
11. Uptown Downtown Man (Hilton-Bruns) 30:02
12. Herbie (Bruns) 33:20

As with everything George Bruns left us, it's a spritely, upbeat listen - craft and entertainment value seamlessly blended. Like all three of the albums we've looked at here, it received a minor and local release, if any at all, and coming across a copy isn't easy.

So give these albums a listen, and I'm sure Mr. Bruns will be smiling somewhere knowing that people are still enjoying his efforts five decades later. Here's to you, Big George.

Do you love theme park and atmosphere music? Then hop on over to our Music Hub, where dozens of obscure tracks - and the stories behind them - are preserved!

Friday, April 20, 2018

The Forgotten Shops of Adventureland

One of the main attractions that Disneyland pioneered was the concept of themed merchandise; that an area which appeared to be the Old West should sell leather goods, coon skin caps, and toy rifles. Although the masterpiece of such theming is probably New Orleans Square, one early and elaborate effort, the one that probably more than any other made the idea stick, was the Adventureland Bazaar across from the Jungle Cruise. Like Tomorrowland's Art Corner or New Orleans Square's One-of-a-Kind shop, the Bazaar was as much an interactive exhibit as it was a shopping experience, a chance to see some unique items and immerse in an environment. Featured areas included Polynesia (hawaiian shirts and dresses), India (etched brass), Asia (exotic imported items), and the Guatemalan Weavers.

Magic Kingdom would both expand and repeat much of the success of these Disneyland shops, and indeed had its own Adventureland Bazaar and more. But the Bazaar still stands at Disneyland - or, at least, the shell of it is still there, although it's now filled with the same Disney stuff everywhere else sells. But the Bazaar, and practically all of the original Adventureland shops at Magic Kingdom are gone, and have been gone for nearly two decades now. That's a long time, long enough for many fans who never set foot inside the House of Treasure to grow to adulthood.

We are dedicated as always to attempting the stem the tide of forgetting on this blog, and having been made aware that many not too much younger than I don't even know what the shape of these original Adventureland pseudo-attractions were like, the time to assemble and preserve this information was upon us. So set your time machines to the early 70s and let's discover those forgotten shops of Adventureland!

The Bazaar Complex

We're going to begin with the most difficult of these areas to mentally reconstruct, which was the central Adventureland Bazaar, in the center of Adventureland near the Sunshine Tree Terrace. This area was destroyed for good back in 2001 when The Magic Carpets of Aladdin was installed, totally changing the relaxed vibe of central Adventureland. The Bazaar complex was made up of five shops surrounding a central open air courtyard.

DisneyPix.Com
Also included was a tall, pink covered area very much like the glass canopy over by the Adventureland Veranda that today acts as the entrance area to the Skipper Canteen. This was the original home of J.P. and the Silver Stars, Adventureland's steel drum band. When the drums were not set up, this was the de facto entrance to the Bazaar courtyard. In later years, as the steel drum band was more frequently seen in Caribbean Plaza, this area became home to exotic bird displays and, inevitably, merchandise.

Here's J.P. and the Silver Stars doing their thing in 1971. This is the Band Stand / Gazebo on the left of the picture above. Check out the awesome chandelier above them.

retrodisneyworld.com
Alternate access to the central courtyard could also be achieved through a narrow covered passage that squeezed between the Band Stand and the Tiki Tropic Shop, seen here in a 1974 view.


Or by walking straight through Traders of Timbuktu.


Inside the central courtyard, moving from West (Tiki Room side) to East (Swiss Family Treehouse side) were three doors leading into the various rear shops. Starting near the breezeway, we have the other entrance door to the Tiki Tropic Shop:

DisneyPix.Com
(That little covered area between the two potted plants has an ornate door below it, which leads to a small backstage hallway that connects the Tiki Tropic Shop and Magic Carpet, as well as an elevator that can take you down to the Utilidor and stock rooms.)

Next to that is the main entrance to The Magic Carpet, with its impressive tower and moorish window:


Here's some guy checking out the weird little animal figures in the window from the 1972 Pictorial Souvenir:


Here's the view he would have had, looking from the Magic Carpet into the courtyard, towards the rear entrance to Traders of Timbuktu. This is the same door we were inside, four pictures up.


Just past the main entrance to Magic Carpet was another entrance, although it led to a part of the shop more correctly known as Oriental Traders, Ltd:

DisneyPix.Com
Here's a map to help you visualize all of this:


Island Supply pretty much still exists, and the patio that once connected it to Tropic Toppers is still there. Most of Tropic Toppers has been walled up, and the bit that still remains spits you out into what was once the side entrance to Traders of Timbuktu instead of allowing you to continue into Oriental Imports as it once did.

So now that we know what we're talking about, let's take a closer look!

The Forgotten Shops of Adventureland

Tropic Toppers
Opened: October 1971
Closed: 1988
Became: Zanzibar Shell Company

This sunny patio mostly specialized in hats and toy jungle animals, appropriate to the Jungle Cruise entrance, which it pretty much directly faced. Disney had a LOT of hat shops prior to the 90s, and this was Adventureland's. Hats!


Oriental Imports, Ltd.
Opened: October 1971
Closed: 1987
Became: Elephant Tales

The first of the rear complex of shops, Oriental Imports was a showcase of eastern silks and inlaid woods, and pretty much anything that could be manufactured in Japan or China. Steve Birnbaum writes in 1982: "This shop, hung with silk-tasseled oriental lanterns, stocks the sort of goods that merchants in Hong Kong sell in quantity: lovely satin change purses and eyeglass cases [...] and hand-gilded and engraved copper plates."

The shop was accessed by a ramp from the rear of Tropic Toppers down into the central sunken area; note the elevated area behind the half-wall on the right of this photo. Actually, note the half-wall on the right of this photo generally, because we'll be seeing it again.


The Magic Carpet
Opened: October 1971
Closed: 1987
Became: Elephant Tales

Flowing from Oriental Imports and through a door, The Magic Carpet, despite its name, offered very few carpets and more brass and inlaid pearl items, including a huge Taj Mahal music box. Here's some folks enjoying it in 1972 - notice the nearly identical merchandise display fixtures that we saw in Oriental Imports above, as well was the return of our odd painted animals from the Moorish window.


Traders of Timbuktu
Opened: October 1971
Closed: Late 2000
Demolished

The most distinctive of the original shops, Traders of Timbuktu housed African wares under a rich green hexagonal dome.


Consisting of two rooms, a flow-through larger room and a smaller cash wrap room pictured above, the store was stocked with the sort of merchandise you find everywhere at Animal Kingdom these days.


This part of the structure, as well as the Band Stand and breezeway alongside the Tiki Tropic Shop, were totally demolished as part of the construction of Magic Carpets of Aladdin, seriously compromising the intended aesthetics of Adventureland.

Here's a shot by Mike Lee in 1994 showing the later incarnation of Traders of Timbuktu with a good deal more bric-a-brak nailed to the walls.



Tiki Tropic Shop
Opened: October 1971
Closed: Late 2000
Became: Backstage Office

Surprisingly given its microscopic size, one of the longest lived of the Adventureland shops was the Tiki Tropic Shop, which sold Polynesian and Hawaiian shirts and dresses, similar to shops at the Polynesian Village.

I will warn you first that much as everything else at Magic Kingdom, the 90s were not kind to the Adventureland shops. By late in the decade, the once vibrant paint has been faded to dull colors and the merchandise had begun to slide into increasingly suspicious directions. Here's a shot of the Bazaar complex in 1994 and you'll see what I mean:


I bring this downer up here because the only photos I have of the Tiki Tropic Shop are from the same era, and to put it lightly this is not a pretty sight.


If you replace the gaudy 90s shirts with aloha shirts and leilani dresses and subtract the 90s "beach bum" props, you can get an idea of what this used to look like.


The chandeliers are the same beautiful brass lotuses that hang outside the Enchanted Tiki Room.

Tiki Tropic continued peddling garish 90s 'tude until the Bazaar complex was demolished to make way for Magic Carpets of Aladdin. The exterior door facing the Tiki Room was walled up and converted to a planter, the side door became a merchandise shelf. This left only the interior cast member access door seen in the first photo here, which led to the backstage hallway that connected Tiki Tropic, Magic Carpet, and the Utilidor. The room was gutted, repainted blue, and became a computer office for Merchandise managers.

That's all of the original Bazaar shops, but our story doesn't end here, because in the 80s a few of the shops changed theme.

The Zanzibar Shell Company
Opened: 1988
Closed: 2000
Became: Zanzibar Trading Company

A conversion of Tropic Toppers, Zanzibar Shell Company came into being with the retirement of ticket books at Magic Kingdom and the conversion of the Adventureland ticket booth into a shop selling all of the Jungle Cruise-related hats and wares that Tropic Toppers used to specialize in. Instead, shells and shell-based jewelry and wind chimes became this shop's stock in trade.


Here's our only good view of the original interior, probably only lightly changed from its days as Tropic Toppers.


In the late 90s with the rise of Paul Pressler and the then-new insistence that every part of Magic Kingdom individually turn a profit, out of the way shops like Zanzibar Shell Traders were converted into merchandise stock rooms. The existing merchandise was pushed out onto the shaded porch area of Traders, and the rear room became an offstage space. This new incarnation was called Zanzibar Traders and continued in operation until fairly recently, when it was turned entirely into shaded seating.

Elephant Tales
Opened: 1987
Closed: Early 2000
Became: Merchandise Stockroom

In the 80s, Oriental Imports and The Magic Carpet were combined into the more explicitly safari-themed Elephant Tales. This mostly involved hanging props from the ceiling, converting the more modernistic light fixtures to a hodgepodge of "themed" ones, taking down the wall between the two shops, and stocking more of what Traders of Timbuktu was already selling.

By the 90s, Elephant Tales had morphed into a catchall shop, selling Princess dresses and lots and lots of Aladdin and Lion King toys. Here's a shot Mike Lee took in 1994, taken from NEARLY the same location as the shot of Oriental Imports:


You can see that some of Oriental Imports' old merchandise has been repurposed. You can also see the elevated area behind the half-wall I pointed out to you earlier. Off to the right is the ramp down into the shop. If you squint close, at the top of the ramp you can see a painted mural of a tropical scene that's still visible today at Magic Kingdom:


Up in Elephant Tales' raised area, notice all of the leftover Magic Carpet stock.. this was in 1994, so this brass stuff had been hanging around for six or seven years by now!


This was the former Magic Carpet area, nearer the Moorish window. Magic Kingdom really began to take down walls in their retail locations in the mid 80s, bringing them closer in look to the Department Store style favored by the EPCOT Center shops. The Emporium had all of its interior walls removed around the same time, too:


Elephant Tales hung in, on and off, until it was shuttered and became a stock room for the new Argrabah Market built in 2001 to accommodate The Magic Carpets of Aladdin.

Colonel Hathi's Safari Club / Island Supply
Opened: Late 1972
Became: Island Supply, Ltd

As documented by Mike Lee, the Safari Club was originally intended to be Adventureland's Arcade - and it was, for less than a year, until it was abruptly closed and reopened as a shop in late 1972 or early 1973. Birnbaum describes the shop in 1982 as being "summer stuff", and by the early 90s when I remember it it was selling rainforest-themed items and small garden fountains. By the late 90s it had switched to selling swimwear and "beach" themed items.

The shop did receive the same ludicrous "beach" overlay that Tiki Tropic did, included the well-remembered game of hopscotch printed on the floor called "Island Hop". With the exception of the blue ceiling and beach theme, this interior was basically unchanged since its days as an arcade:


In early 2015, Island Supply was converted into a Sunglass Hut location. As we've seen earlier in this article, selling vaguely themed "beach" stuff is not a new concept in Adventureland. The interior is still basically the same as it always was.

Bwana Bob's
Opened: 1985
Closed: 2000
Relocated Elsewhere

The original Adventureland ticket booth, Bwana Bob's was repurposed in the 80s to sell vaguely Jungle Cruise-related knick-knacks. Here it is as a ticket booth in the early 80s:


And as Bwana Bob's in 1988, thanks to Mike Lee:


Bob's also makes a quick appearance in the 1990 A Day at the Magic Kingdom souvenir VHS:

"Don't worry dad it's only a fake snake!"

The original structure was demolished to make way for The Magic Carpets of Aladdin, and in the process "moved" nearer the Adventureland Bridge in the early 2000s.

The Forgotten Shops of Caribbean Plaza

Caribbean Plaza opened in 1973 with a much reduced version of its central anchoring ride, but in many other ways it was attempting to be as fully realized an area as New Orleans Square at Disneyland, containing five trickling tile fountains, three secluded courtyards, and a number of exotic shops to wander through. A lot of this has been chipped away today and many have forgotten how nice Caribbean Plaza was supposed to be, so let's move on from Adventureland to its neighbor for a quick look at what was there originally.

Plaza Del Sol Caribe
Opened: 1973
Still in Operation

The Plaza Del Sol, today simply known as the "Pirates Shop", may have been the original gift shop that an attraction exited into, but it was once quite different than it is today. Originally as much of an atmospheric area as a gift shop, it sold Sombreros, silk flowers, pirate heads carved into coconuts, pirate swords, hats, as well as wind chimes and other "patio" pieces.

There were very few freestanding merchandise display racks, with the merchandise overflowing from carts, similar to the visual presentation of the Plaza De Los Amigos at EPCOT Center. Indeed, the overall impression was as much an inviting plaza, similar to the one the attraction enters through, as it was a gift shop.


Inevitably, this could not last forever, and by the time the 90s has rolled around, the Plaza shop was becoming increasingly cluttered with both Pirate and faux "caribbean" items, making it more of a true shop and less of an atmospheric walk past a trickling fountain. The writing was on the wall...


The House of Treasure
Opened: 1973
Closed: 2001
Became: The Pirates League

Originally, if you wanted to buy Pirates of the Caribbean stuff, you had to go into the House of Treasure. This high ceilinged, atmospheric shop had three entrances: the high traffic one from the Plaza Del Sol Caribe, one facing north that spit out by the Caribbean Plaza pay phones and a shaded porch, and a rear exit that flowed into the secluded courtyard alongside the Pirates of the Caribbean queue, with the Fuente de Cielo azul.



When it was in operation, this was probably my favorite shop in Magic Kingdom. With walls lined with Spanish royal flags and decorative shelves stocked with pirate treasure, it reminded me of being inside the treasury room that appeared at the end of the attraction.



House of Treasure was shuttered following the 2001 recession, and by 2003 its main entrance has ominously become home to a dressing room, sealing off the rest of the area. It never returned. In 2009, the space become the pirate-themed version of Fantasyland's popular Princess makeover experience, The Bippity Boppity Boutique.


The Pirate's League, although beautifully themed, has never found the widespread success the Bippity Boppity Boutique has. When Disney closed the House of Treasure, they tore out the heart of Caribbean Plaza, and it's never quite been the same. I await the day when somebody in merchandise with real vision will turn this back into a shop that's accessible to everyone. Given that asking Disney to open a shop is something they'll happily do at any time, this evocative space shouldn't be closed off the way it is today.

The Pirates Arcade / Laffite's Portrait Deck
Opened: Late 1974
Closed: Late 90s
Became: Merchandise Stock Room

Many of you know about or remember the House of Treasure, but have you thought of the gift shop on the other side of the Plaza recently? In late 1974, this small space, tucked between the main walkway of Caribbean Plaza and the restrooms, had replaced The Safari Club and become Adventureland's main arcade. Around 1978, the Pirate Arcade changed names, and was now known as Caverna De Los Pirates. By 1980, the arcade games were cleared out.


What replaced it was an uncharge experience where guests could don pirate garb and get their photos taken in front of two backdrops: a tropical beach overflowing with treasure, or the deck of a sailing galleon. Similar to a photo experience on Main Street and frankly probably "inspired" by Knott's Berry Farm, Lafitte's Portrait Deck hung around at least until the early 90s.

Originally featuring sculpted pirates, the location later began printing cartoon characters on top of photos, such a pirate Mickey and the Little Mermaid.


By the mid-90s, Lafitte's Portrait Deck had become an unnamed side-adjunct to the Plaza Del Sol Caribe, selling pirate swords, hats, and other stuff. In the late 90s, it was closed and became a merchandise stock room.

The Crow's Nest
Opened: 1988
Closed: 2010
Became: A Pirate's Adventure Game

A tiny little shop that opened next to the Frontierland Train Station and survived its demolition and relocation, The  Crow's Nest offered film and disposable cameras, as well as being a drop-off spot for the park's in-house express photo developing service (such things did exist!).

Main Street Gazette

It had a tiny interior, with a register on the rear wall in front of a number of backlit photos of Magic Kingdom such as the castle and Splash Mountain. With the decline of film cameras and the exit of Kodak from the park as sponsors, the little hut became a quick stop for autograph books, toys, and toy guns. In 2010 it closed and became the "headquarters" for a Jack Sparrow themed interactive game, A Pirate's Adventure: Treasures of the Seven Seas.

The Golden Galleon & La Princesa de Cristal
Opened: Early 1974
Closed: 1998
Became: El Pirata Y El Perico Seating

The two most obscure Caribbean Plaza shops may be so for good reason. The area across from Pirates of the Caribbean was originally intended to be a shopping complex with a snack bar in front; the snack bar would eventually grow to take over its neighboring shops. In 1982, Steve Birnbaum describes El Pirata Y El Perico as offering "ham and cheese submarine sandwiches, hot dogs, burritos, hot pretzels, brownies, and ice-cream bars" - fairly standard for Disney snack stands of the era, where everything came directly out of a fridge or warming tray.

Just past the main entrance to El Pirata, near the large arch that anchors the rear of Caribbean Plaza, is a large planter with walkways on either side of it as well as an open space that leads directly back towards an isolated courtyard that sits between the original locations of The Golden Galleon and La Princesa de Cristal. Today, this space is jam packed with tables, but imagine for a moment if instead it was an open space, with signs in the planter directing you back to the courtyard where you would discover yet more quaint and interesting shops. This is how it was in 1973, and how it remained until, along with so many other interesting features of Walt Disney World, was tossed out unceremoniously in the late 90s.

The shop on the left was the Golden Galleon, home to gold, brass, and jeweled decorative fixtures. Anchored by an antique diver's helmet, the shop sold brass fittings, door stops, wall plaques, mirrors, ship's wheels, and spyglasses. It also featured a large number of authentic ships in bottles and, at least in the early 70s, was home to a large collection of authentic and reproduction scrimshaw!


Across the way, La Princesa de Cristal was another Arribas Brothers location, very much like the ones that still exist on Main Street, in the Mexico Pavilion, and elsewhere. La Princesa was notable for specializing in crystal reproductions of sailing ships, ranging in size from a few inches to a few feet long. I haven't ever found anybody who took a photo of this location.

Here's a view looking into Golden Galleon:


That door and arch still exists, below the Caribbean Plaza arch. Modern park goers will be confused by a sunlight coming in the rear of the shop, but the 1998 expansion of Pecos Bill in Frontierland swallowed up a sunny courtyard that used to sit between Frontierland and Caribbean Plaza.

That 1998 expansion of Pecos Bill is what finally sealed the fate of Golden Galleon & La Princesa. Foods took over pretty much the entire western end of the west side of Magic Kingdom, filling in all of the space surrounding Pecos Bill which used to be open patio seating, and pushing into The Mile Long Bar at the exit of Country Bear Jamboree in the process. La Princesa was "upgraded" to a green-fringed cart which sat just outside its former digs, while El Pirata expanded to fill what was previously two shops. The crystal shop became home to a topping bar and restrooms, and Golden Galleon was converted to seating and connected directly to Pecos Bill via a ramp.

The timing of the conversion for El Pirata was not fortuitous. Park attendance was already slipping following years of eroding fan goodwill during the 90s, and the opening of Animal Kingdom did not grow attendance as expected but instead cannibalized the other three parks. Following the dip in tourism following the 2001 terror attacks, El Pirata went on seasonal operation and has never really came back.

In late 2005, Magic Kingdom toyed with offering El Pirata as a buffet location. Catered by the Contemporary, the buffet was operated for a few weekends. The topping bar was cleared out of the La Princesa space, hot food was brought in, and steaks were grilled in the courtyard. It never returned.



In February 2011, El Pirata Y El Perico received a name change and new theme: Tortuga Tavern, with a vaguely defined tie-in with a line of Captain Jack Sparrow young adult novels being published at the time. The cosmetic overhaul did nothing to change the location's fortunes. This "restaurant" has rarely been open two months out of the year for nearly 20 years now.



There's no reason that Disney needs to waste all of this valuable real estate - it's hard to imagine that clearing out The Pirate's League and reopening it as a store would make that location any less profitable than it is now. La Princessa de Cristal is never coming back, given that it now houses two restrooms, but the former The Golden Galleon space sometimes isn't even open when Tortuga Tavern is. Merchandise across Walt Disney World has been experiencing something of a renaissance lately, and specialty shops like Memento Mori or the Dress Shop regularly set social media ablaze with new and exclusive merchandise offerings.

It's hard to see that a new line of Pirates of the Caribbean merchandise offered in either of those two spaces wouldn't do well. More importantly, reclaiming House of Treasure and Lafitte's for merchandise sales would both help traffic move through the exit of Pirates of the Caribbean and restore much of the charm of the area that's been lost.

As for the Adventureland Bazaar, it's safe to say that for now removal of the Magic Carpets of Aladdin is unlikely. However, there's still the old Magic Carpet / Elephant Tales space sitting right behind and connected to the operating Adventureland shops. Again, an exclusive line of Jungle Cruise and Tiki Rom merchandise in this location could do well, adding some prestige to this very compromised area and the semi-hidden nature of the location wouldn't matter much in the era of social media marketing.

Given that Disney just spent the better part of a decade rebuilding Downtown Disney into the high-end retail mecca of Disney Springs, it seems strange that so little attention is being paid to underutilized areas of their keystone park that were intended to offer the kind of varied, exclusive, themed shopping experience that Disney can deliver. These spaces are sitting there, just waiting for somebody to come along with the imagination to use them properly.

Special thanks to Mike Lee, Todd McCartney, Whit Elam, and many others who contributed to this article.

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